CURRICULUM
VITAE


— Beatrice Martini

Born 1984 in Florence (I). Lives and works in Berlin (D).

— Education

2008

MA degree with honours in Harp performance, Conservatory of Music “Arrigo Boito”, Parma.

Music & Intuition + Music & more (Bewegungsimprovisation und Musik): workshops and performances held by Markus Stockhausen, Palucca Schule, Dresden.

2004

BA degree with honours in Harp performance, Conservatory of Music “Arrigo Boito”, Parma.

2002–2005

Studies of Architecture, University of Florence.

1988–2007

Harp and musical studies. She started approaching the instrument at the age of four with Antonella Mantovani; then, she studied with Emanuela Degli Esposti, Professor of Harp at the Conservatory of Music “Arrigo Boito” in Parma, attended several masterclasses since 1992 with Judith Liber, Principal Solo Harpist with the Israel Philharmonic Orchestra and partecipated in courses held by Ursula Holliger and by Ieuan Jones, Professor of Harp at the Royal College of Music, London.

1987

Musical propaedeutics courses for kids.

— Major prizes and grants

2007

Music grant, Conservatory of Music “Arrigo Boito”, Parma.

2006

National Prize of the Arts 2006, competition promoted by the Ministry of University and Research: I° prize

2004

Qualification at the Competition for the Orchestra specialization course at Accademia d’Arti e Mestieri dello Spettacolo, Teatro alla Scala, Milan (I).

1998

VIII National Competition ‘Riviera della Versilia’ : I° prize

1995

International Music Performance Competition ‘Rovere d’Oro’: II° prize

IX National harp Competition ‘Victor Salvi’, High Specialization Music Academy, Saluzzo (I): II° prize

— Selected live performances

2008

Cut-up, Brighton Festival 2008, Brighton (UK).
Performance for harp, percussions, electronics and the monumental pipe organ of the Dome Concert Hall together with Robert Lippok, Brighton Festival 2008, Brighton (UK).

Malmaison, Turin (I).
Multi-disciplinary performance for two actresses, one harpist-performer, field recordings and videos.

2007

Auditorium Parco della Musica, Rome (I).
Performance of The Crown of Ariadne (1979) by Raymond Murray Schafer, a composition where the soloist plays harp and a whole set of percussions (like three bells, triangles, cymbals, woodblocks and more) at the same time.

Soundmetak, Milan (I).
Harp and percussions performance at the "vintage / collector instruments and musical objects shop" run by Xabier Iriondo.

Hydrology, TANZherbst 2007, Deutsches Hygiene-Museum, Dresden (D).
Multidisciplinary work as harpist, percussionist, sound artist and performer for the choreography by Alessandra Fabbri.

2005

Villa Montalvo, Florence (I).
Piccoli sogni di carta contro la guerra (Little paper dreams against war).
Harp composition written and played for the homonymous short video and harp recital in the presence of Tadatoshi Akiba, Major of Hiroshima.

— Selected exhibitions and sound installations

2005

Geografia Sonora, Fabbrica Europa Festival, Florence (I).
Sound installation created during the homonymous workshop at Centro Tempo Reale.

Confini portatili (Portable borders), Visualworks Festival, University of Florence (I).
Photographic project, installation and interactive performance with polaroids.

3 meters, 6 minutes, 12 ways to listen to white sounds, European Architecture Students Assembly 2005, Bergün (CH).
Sound art performance and installation.

— Selected Lectures

2008

Alice Giles, Sequenza II e la musica di Luciano Berio
(Alice Giles, Sequenza II and Luciano Berio’s music), Conservatory of Music “Arrigo Boito”, Parma (I). Lecture and interview (in English and Italian).

2007

Henriette Renié: la letteratura in musica (Henriette Renié: literature in music), Camac Days, Rome (I). Lecture and concert (in Italian).

2006

Henriette Renié: poesia e racconto in musica (Henriette Renié: poetry and tale in music), XIX Cremona Mondomusica, Cremona (I). Lecture and concert (in iIalian).

L’inconsueto dell’arpa: i paesaggi sonori di R. Murray Schafer (The unusual side of the harp: R. Murray Schafer’s soundscapes), XIX Cremona Mondomusica, Cremona (I). Lecture and concert (in Italian).

— Solo recordings

2009

Scores for fingertips on tiptoe
20th century solo harp music: Raymond Murray Schafer, The Crown of Ariadne; Bernard Andrès, Élégie pour la mort d'un berger; Henriette Renié, Légende. Released on This is it, forever and Boring Machines.

— Collaborative recordings

2009

Branches, radio play with Robert Lippok for the New York radio station WFMU.

2008

"Charlie fa surf", harp part in a song by Baustelle from their album Amen.

— Selected publications and essays

2009

“Una foresta percorsa dal vento. Alice Giles, Sequenza II e la musica di Luciano Berio” (“A forest crossed by the wind. Alice Giles, Sequenza II and Luciano Berio’s music”), In Chordis, year I, n. 1, January 2009 (Italian text).

2007

“L’arpa: storia ed evoluzione” (“The harp: history and evolution”), Insound, year III, n.16, April 2007, pp. 60- 69 (Italian text).

2006

“Henriette Renié (1875–1956)” and “Henriette Renié: Concerto in C Minor for harp and orchestra”, essays published in the official programme book of The Sixteenth International Harp Contest in Israel (English text).

Rosalinda Sacconi ed il suo lascito al Conservatorio di Musica di Parma, essay realized at the Museum of the Conservatory of Music “Arrigo Boito”, Parma (I) (Italian text).

2005

“L’arpa, rinascita di una cultura” (“The harp, revival of a culture”), in Musicadarpa, year V, n.1, January 2006 (Italian text).